Typewriters line a wall in the department of dramatic writing.

The TL;DR
  • NYU's dramatic writing program cross-trains students in writing for film, television, and theater
  • Professors utilize their professional experience to bring the entertainment industry inside the classroom
  • Student organizations help to supplement learning outside of the classroom

While giving campus tours to prospective students, I often receive a fundamental question about my nebulous major: what do I even study? And understandably so: dramatic writing is not as self-explanatory as many other majors at NYU. Are dramatic writers aspiring screenwriters? Playwrights? TV Writers? The answer is that our department is home to all three. And with award-winning professors to guide us and a vibrant city to supplement our learning, graduates of DDW (an acronym you’ll learn after a quick stroll down our movie poster-adorned corridor) have the skills to thrive in a rapidly changing entertainment industry.

Curriculum & Classes
The entrance to the Department of Dramatic Writing.
Always exciting to head into the dramatic writing department on the 7th floor of the Tisch building!

What makes NYU’s dramatic writing program distinct from other universities’ is its curriculum. We are “cross-trained” in screenwriting, playwriting, and writing for episodic television. This not only sharpens our skills but prepares us to alternate between writing different media in our careers. Our primary classes are writing workshops, where we revise our original material in a writers’ room environment. Additional courses include text-analysis classes, where we discuss plays, screenplays, and TV pilots. Another common question I receive is how dramatic writing is different from studying Film & Television. Ultimately, UGFTV is more suited for students whose interest in screenwriting is part of a larger passion for all aspects of filmmaking. Conversely, dramatic writing is beneficial for students whose primary goal is to write. It also makes more sense for those interested in playwriting as well as writing for film and television.

Professors & Faculty
Two Broadway theaters line 44th Street in New York City
Even in the daytime, the neon lights are bright on Broadway! "Hell's Kitchen," currently playing at the Shubert Theater, was written by dramatic writing Associate Arts Professor Kristoffer Diaz!

If you’ve ever been on any of my campus tours, you know how much I love to gush about the dramatic writing faculty. Our intrepid professors are tenured veterans of Broadway and Hollywood, with experience writing for theater, film, and episodic television. But this goes beyond bragging rights. Any note you receive from a professor is contextualized within their vast experience working in the entertainment industry. In other words, lessons from Tisch professors come wrapped in anecdotes. Whether they’re tales of addressing notes from Netflix executives or rewriting the second act of an Off-Broadway play the week before opening night, our professors have seen it all. Additionally, as successful as our professors are, they still make time for us during office hours. In between meetings, rehearsals, and writers’ rooms, our talented teachers will sit with us for hours to discuss our scripts.  

Clubs & Events
A Broadway playbill in front of a Broadway stage.
It was very exciting getting to see "John Proctor is the Villain" at the Booth Theatre last semester! Dramatic writing students often get free tickets to theater throughout the semester!

Outside the classroom, the learning continues. Student theater groups, such as the Broke People Play Festival, allow students to write and stage fully-produced original plays. Additionally, Spring 2025 saw the premiere of the 7th Floor Film Festival. This is an initiative to highlight the creativity of dramatic writing students who direct films as well as write them. Finally, you can’t write without being inspired by new work. As a dramatic writing major, I’ve had the opportunity to see numerous Broadway productions, completely for free. New York City is an infinite hub of arts and culture. Because of this, we receive tremendous support from our department to utilize our urban campus as a classroom.

The Washington Square Park Arch lit up at night.
The Washington Square Park arch, lit up at night, is always a very inspirational sight for a dramatic writing major...

The notion of breaking into the entertainment industry is very daunting. But my time on the 7th Floor of the Tisch School of the Arts has constantly inspired and uplifted me. Whether in the classroom exchanging script feedback, in the Goldberg Theater producing a play festival, or at an indie theater watching a niche movie, my time at NYU has filled me with enough inspiration to last a lifetime.

A fond memory that encapsulates much of what it has felt like to be a dramatic writing student comes from my first year at NYU. After taking advantage of 20-dollar student tickets to see an Off-Broadway production, my classmates and I left exhilarated. This was in no small part due to how the playwright had studied dramatic writing at NYU not terribly long before. It was a blisteringly frigid February evening in the middle of Times Square – but we didn’t care. This was one of those quintessential NYU moments we dreamt of for years. We made it to New York City. We made it to Tisch. And maybe one day with a lot of hard work and a little bit of luck, we would make it as writers, too.

Jake Vitarelli (he/him) is a rising senior studying dramatic writing at the Tisch School of the Arts. In addition to being an Admissions Ambassador for the NYU Office of Undergraduate Admissions, he also serves as the Managing Director of the Broke People Play Festival (NYU’s largest student-run new-works theater festival) and is a member of two NYU comedy troupes. Having dreamed of coming to NYU for many years, Jake is thrilled to be able to offer tips and share his college experience with prospective students!