Published March 04, 2025
The Hogwarts Houses [AKA the NYU Tisch Drama Acting Studios]

Performance of 'The Invitation', a devised piece I did my junior year @ Strasberg
The TL;DR
POV: You are in your Tisch Drama audition and the evaluator asks if you have a studio preference. You freeze because, WHAT?!
Well, do not fret, this article is here to answer all your questions.
First, let’s break down how the Professional Training requirement of the Drama degree is structured.
Your first two years you will spend doing primary training, that consists of three days a week in one acting studio 9-6pm. It is intensive, immersive, and all in. You will take all your classes with the same section, creating one big family.
Afterward, you will have 4 semesters to use as you wish. You will still be required to take 16 credits of Additional Professional Training to graduate. Some students choose to end their studio experience after completing those requirements. Some use their elective credits to continue taking studio classes up until they graduate. Dealer’s choice. During the APT you are allowed to switch acting studios every semester, if you wish. As long as you audition and are accepted in the transfer track.
Your studio placement comes in during the summer before classes start. You are not allowed to choose, nor are you allowed to switch out of your primary studio. This is where the Hogwarts Houses come in.
Not only is the process a bit of a mystery – although I know the science behind them, I won’t spoil it to you – but you gain a pride and connection to your primary studio that can only be compared to Hogwarts Houses or a sports team.
You will be asked, just like with the Sorting Hat, if you have a studio preference during your Artistic Review. So, this is a breakdown for them so you can better argue in favor of one studio of another.
NOTE: If you are interested in Production and Design, the artistic review process is kind of different. However, you are allowed to transfer into P&D for a semester after your primary training. (I took classes at P&D during my Junior year!)


The houses (aka Studios) are as follows:
Primary Training
The LSTFI trains students in Method Acting. Strasberg developed this method based on Stanislavski’s work .(This isn’t the only studio whose method is based on Stanislavski’s work, FYI!) Besides the traditional method classes, students will take voice, speech, dance, movement, tai chi, feldenkrais, singing, dialects, and many other courses. I have had teachers describe it as an “inside out” method, for actors who like to exercise the character’s inner life and let that influence their behavior. For more information, visit this link.
- Slytherin


Stella Adler Studio of Acting
Stella Adler developed the Adler method of acting around the same time as Strasberg, they used to be friends! Her method was also based on Stanislavsky’s work. Much of the work done on the studio is based on imagination and the use of the “what if”. Their mission is to “create an environment to nurture theatre artists who value humanity, their own and others, as their first and most precious priority while providing art and education to the greater community”. Students are required to wear all back to classes and take a variety of courses that range from firm acting technique, voice and speech work, movement and physical exploration, as well as contemporary and classical scene work. Visit this link to learn more!
- Slytherin
The Atlantic Studio
The Atlantic Studio follows a technique called “Practical Aesthetics” which is primarily based on the script and its analysis. Actors are taught tools to tackle scene work with simplicity and practicality. Their founding principle is to ‘simply and truthfully tell the story’ which allows students’ interpretations of the text to shine through. A highlight of their program is that, during their second-year, students perform in an evening of one-act plays. Visit this link to learn more.
- Ravenclaw
Experimental Theatre Wing (ETW)
The Experimental Theatre Wing teaches Grotowski influenced and Meisner techniques combined with a variety of movement classes to create an adaptable and strong foundation for actors. There is a lot of personal artistic exploration, aiding the actor in finding their unique voices in their bodies. Using their bodies as the vessel, ETW students aren’t taught one single aesthetic – they learn an array of techniques to use as a springboard for their creative pursuits, including theatre, film, and new media. Visit this link to learn more.
- Hufflepuff
New Studio on Broadway (NSB)
New Studio on Broadway is NYU’s only musical theatre studio. Students are trained in singing, dancing, and acting based on techniques from the repertoire of American musical theatre and contemporary American plays. With teachers actively working on Broadway and New York theatre, NSBers get the foundation training to tackle any stage. Visit this link to learn more.
- Slytherin
Playwrights Horizons Theatre School
Playwrights Horizons Theatre School educates students in the foundations of all aspects of theater production – writing, design, devising, acting, and directing. Students have the opportunity to learn from professional working artists with experience with different formats of performance styles. Students learn through different project assignments, receiving more responsibilities through seniority and culminating in their Independent project. The studio is also part of Playwrights Horizons, one of New York’s most important non-profit off-Broadway theaters. Visit this link to learn more.
- Hufflepuff
The Meisner Studio
Learning the method developed by Sanford Meisner, students learn to ‘behave truthfully under imaginary circumstances.’ A contemporary of Strasberg and Adler, Meisner developed his method inspired by Stanislavsky’s work. Training in acting, movement, voice and speech, and other essential classes, students exercise through repetition – Meisner’s technique that focuses on active listening and reacting honestly. Visit this link to learn more.
- Gryffindor
Only Available for Additional Professional Training
The Classical Studio
A year-long program, a small co-hort of classmates, Shakespeare text and techniques. The Classical Studio builds ensemble to its core, providing students the opportunity to switch characters every night for a 30-night performance of a designated Shakespeare play. They train in heightened speech as well as contemporary material, providing them with foundations to tackle all formats of material they could face after graduation. Click this link to learn more.
- Ravenclaw
Stonestreet Screen Acting & Production Studios (my APT!)
Are you interested in more than just acting for film? Stonestreet Studios is the dream environment for anyone who wants to become a multi-hyphenate in the digital entertainment industry. Being fully-immersed in a film studio setting, students get the opportunity to audition weekly for industry guests, act in short films, and write and produce their material. All the practical techniques and contacts set up these students to be a part of the industry before receiving their diploma. Click this link to learn more.
- Gryffindor
The Innovation Studio (Tisch Drama's newest addition!)
NYU’s newest acting studio, The Innovation Studio, is a research laboratory that brings technology to the center of the training. Students jump in between mediums and
roles, experimenting with the array of possibilities when creativity runs boundless. Consciously trying to disrupt the norms and traditional processes, the studio aims to expand the boundaries of each artist’s work and their mindsets. Click this link to learn more.
- Ravenclaw


In conclusion...
At the end of the day, each acting studio is unique and special in its own way. The format of the program allows for every NYU Tisch Drama student to graduate with an individual and tailored training and experience! Whether it is spending all four years in one studio, or trying out five (or more!) during your degree, there is no one way to get it done. You will get to learn from incredibly respected and awarded professors who are still working in the industry and truly get to graduate from a school like no other – with a degree like no other.
I am grateful for the three years I spent at Strasberg and all the amazing friends, teachers, and collaborators I got to meet and learn with. I also took Stage Management classes at P&D, meeting new people and getting to explore another path that I hadn’t had the opportunity up until that point. I got to stage manage one of our Tisch Main Stage shows, understanding what the production side of theatre looked and felt like.
Finally, I’m spending my last two semesters at Stonestreet – the program that made me commit to applying to NYU early decision. In the summer of 2020, during COVID, I took Stonestreet’s 6-week summer intensive program with mostly NYU students (and two other high schoolers like me). The experience and learning I did over those few weeks impacted me to a point that made me commit fully to this university – just so that I could experience it again. Having taken both Business of Entertainment, Media, and Technology and Producing as minors, Stonestreet has given me the practical tools and experience to confidently go out onto the real world and look for jobs in my desired fields.
May you know that there is no written path that will bring you to your dreams, it is the journey that will shape the ideal outcome.
Best of luck and enjoy the ride. Nothing will ever compare to it.